Isobelle Carmody's much-anticipated The Sending was finally released at the end of October. Originally planned as the final book of five in the Obernewtyn Chronicles (the first book is Obernewtyn, first published in 1987), The Sending is actually book number six, with book seven, The Red Queen, due next year. I started reading the Obernewtyn Chronicles at about age 16, and have been awaiting a conclusion to the series ever since.
What can I say about The Sending? If, like me, you read and loved the Obernewtyn Chronicles as a teenager, it's definitely worth reading. Isobelle Carmody's prose doesn't exactly sparkle; the plot is poorly paced and the first-person narrative is at times frustrating. However, the characters are the same characters you read about and loved all those years ago. They are dear friends, and the opportunity to once more glimpse them as they live and breathe and dream is welcome. Carmody has not lost touch with her characters over the 25+ years she has spent writing the Obernewtyn Chronicles. I love these characters so much that I read the book in a single sitting.
However, a few warnings: Elspeth, the narrator, remains somewhat short-sighted and often jumps to conclusions on little evidence. This becomes a problem because the narrative is intensely focused on Elspeth's introspection, so the reader is often subjected to several pages of soliloquy in which Elspeth bemoans imagined misfortunes. The focus on introspection also means that the plot moves much more slowly than necessary. The rationale for splitting The Sending into two books (The Sending and The Red Queen) was that there is just too much story to fit into one book, but The Sending could easily have been half the length.
The other long-awaited sequel I read this month is The Magician King by Lev Grossman, sequel to his The Magicians. The Magicians is a little-known but brilliant novel about Quentin Coldwater, a Brooklyn teenager who ends up attending Brakebills, a university of magic. One review I read described The Magicians as 'Harry Potter meets Trainspotting'. There is fantasy, there is magic, but these books are definitely for grown-ups. Read Laura Miller's Salon review of The Magicians here.
In stark contrast to The Sending, Grossman's characters are not always likeable (Quentin can be quite a dick at times), but the plot of The Magician King always moves along. As in The Magicians, Grossman continues to draw on both (quite overtly) Rowling's Harry Potter and (more subtly) Lewis's Narnia, exposing fantasy tropes to the cold light of adult life, making magic uncomfortable and real, yet somehow leaving a sense of wonder. Grossman has a rare talent: he is able to write fiction which is unflinching and sometimes cynical, and to write it in a fantasy novel. This is no broody literary novel with magical elements: Grossman never forgets that he is writing genre fiction, and genre fiction demands to be plot-driven. Give his books a go. You won't regret it.
